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Mary Benton of Manchester, Connecticut was Dawson-Watson's friend/patron. On the back of the painting is the title and the name "Benton". 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Volkert", "Sort_Artist" : "Volkert, Edward C.", "Disp_Dimen" : "20 in. x 24 in.", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Florence Griswold Museum, Gift of The Hartford Steam Boiler Inspection and Insurance Company", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Volkert_-_Shade_84.3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Volkert_-_Shade_84.3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Volkert_-_Shade_84.3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Volkert_-_Shade_84.3.jpg", "IsPrimary" : "0", "_SurrogateID" : "22340", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 20454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/20454", "Disp_Access_No" : "2002.1.117", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1905 - 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1910", "Disp_Title" : "Laurel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward F. Rook", "Sort_Artist" : "Rook, Edward F.", "Disp_Dimen" : "40 1/4 in. x 50 1/4 in.", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "50 1/4 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "Like many of the Old Lyme Impressionists, Rook loved to paint views of the mountain laurel that flourished along the banks of the Lieutenant River in June. A methodical painter, Rook was frequently frustrated that the flowers faded faster than they could be painted. To the delight of some of the other artists, Rook sometimes tied pink cotton balls onto the laurel bushes for a "second blooming", thereby allowing him to finish his composition. Mr. Rook priced "Laurel" at $5000; it did not sell. He felt it was one of his finest works and, disheartened, he draped the painting with a black shawl and kept it in his studio throughout his life. 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A sailboat can be seen in the distance. 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Over the next two decades, he studied and taught art in Chicago, Paris, San Francisco, and New York, and built a reputation as a still-life painter. In 1896, Carlsen began summering in Connecticut, where he took up the subject of landscape. At first, he stayed at artist J. Alden Weir’s home in Windham Center, even residing with his family in a cottage on Weir’s property. This painting, completed in 1904, probably depicts that spot. The following year, Carlsen bought his own home in the northwest Connecticut town of Falls Village. The limited tonal range and carefully constructed surface of "Night, Old Windham" recall the work of John H. Twachtman, the influential Impressionist and teacher whose paintings Carlsen admired. Carlsen’s intimate response to nature creates a hushed, dreamlike mood that is the hallmark of his landscapes. This painting won the Webb Prize for the best landscape by an American artist when it was exhibited at the Society of American Artists in 1905. 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