{ "objects" : [ { "embark_ID" : 141, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/141", "Disp_Access_No" : "1974.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Grassy Hill", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Vincent DuMond", "Sort_Artist" : "DuMond, Frank Vincent", "Disp_Dimen" : "23 5/8 in. x 29 1/2 in.", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "Grassy Hill depicts the area in Lyme where DuMond bought a house in 1906. Artist Allen B. Talcott had first introduced him to the crowd at Florence Griswold's house, but it was the close friendship DuMond formed there with Willard Metcalf that had the most profound impact on his work. the Autumnal radiance and tightly controlled strokes in Grassh Hill echo Metcalf's artistic experiments in the earlier pastel Lyme Hillside. Assisted by Will Howe Foote, DuMond came to townin 1902 as the Director of the Lyme Summer School of Art sponsored by the Art Students League of New York. Completed over three decades after his arriva, Grassy Hill affirms the Impressionist artistic legacty of the colony, which DuMond helped perpetuate through his teaching at the "School of Lyme".", "Dedication" : "Florence Griswold Museum; Gift of Elisabeth DuMond Perry", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "Landscape", "Period" : "Early", "Style" : "Lyme Art Colony", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1974_9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1974_9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1974_9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1974_9.jpg", "IsPrimary" : "1", "_SurrogateID" : "20307", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 142, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/142", "Disp_Access_No" : "1974.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Figures in a Landscape, 1902", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Vincent DuMond", "Sort_Artist" : "DuMond, Frank Vincent", "Disp_Dimen" : "16 in. x 22 in. (406.4 mm. x 558.8 mm.)", "Disp_Height" : "16 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "During DuMond's first years at Lyme, he produced a series of Tonalist landscapes populated with idealized figures. Art historian, Charles Eldredge has noted how DuMond's figures "appear like priestesses performing a ritual exercise in nature."", "Dedication" : "Florence Griswold Museum; Gift of Mrs. Roger Griswold", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Landscape", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Curator" : "Consider likelihood that this was done as an illustration for a book or magazine. Diluted medium very much matches style of his illustrations in the years 1901-03.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/053.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/053.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/053.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/053.JPG", "IsPrimary" : "1", "_SurrogateID" : "20308", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }