{ "objects" : [ { "embark_ID" : 6, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6", "Disp_Access_No" : "1971.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "The Orchard, 1916", "Alt_Title" : "Miss Florence's Orchard, 1916", "Obj_Title" : "", "Series_Title" : "Griswold House and Grounds", "Disp_Maker_1" : "Lucien Abrams", "Sort_Artist" : "Abrams, Lucien", "Disp_Dimen" : "26 1/8 in. x 32 1/8 in.", "Disp_Height" : "26 1/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "Not long after settling in Old Lyme, artist Lucien Abrams painted this picture of the orchard behind Florence Griswold’s boardinghouse. The Griswold family had long pursued small-scale farming, and the 1880 census records that on their 15-acre estate, one acre was devoted to an orchard consisting of 15 trees. Abrams depicts the mature trees, which attracted artists to the colony during apple blossom time, when painters such as Childe Hassam set up easels outdoors to capture the radiant, ruffled petals. A female figure seated in the foreground suggests that by 1916, the orchard was as much a site for outdoor leisure as an agricultural resource. The American-born Abrams spent many years abroad before returning to this country in 1914. In France, he absorbed the expressive brushwork and non-naturalistic color palette of the post-Impressionists, which he translated into the gestural application of red and purple for the contours of the tree trunks in The Orchard. 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Paintings like this one give us clues as to how the house was once furnished. Among the furnishings are an Empire style table, a Chippendale chair, and a roccoco sofa. The table lamp is owned by the Museum and is on display in the Miss Florence's bedroom. There is a fire in the fireplace. The painting is dedicated to Miss Florence.", "Dedication" : "Florence Griswold Museum; Gift of Dr. Matthew Griswold, Sr.", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "House and Garden", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "10", "Rel_Obj_Title" : "White Cottage in Autumn" } ], "Related_Children" : [ { "Rel_Obj_ID" : "12", "Rel_Obj_Title" : "Miss Florence's Parlor" },{ "Rel_Obj_ID" : "13", "Rel_Obj_Title" : "On Library Lane, c. 1919" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Adams-54.8.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Adams-54.8.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Adams-54.8.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Adams-54.8.jpg", "IsPrimary" : "1", "_SurrogateID" : "20191", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12", "Disp_Access_No" : "1954.9", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Miss Florence's Parlor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Griswold House and Grounds", "Disp_Maker_1" : "Woodhull Adams", "Sort_Artist" : "Adams, Woodhull", "Disp_Dimen" : "12 1/4 in. x 9 1/8 in.", "Disp_Height" : "12 1/4 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "View of the parlor in the Griswold house showing a tall lamp on a marble-top table near a window and a rush-seat chair nearby.", "Dedication" : "Florence Griswold Museum", "Copyright_Type" : "", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "House and Garden", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "11", "Rel_Obj_Title" : "Miss Florence's Parlor, 1912" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "13", "Rel_Obj_Title" : "On Library Lane, c. 1919" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1954_9.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1954_9.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1954_9.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1954_9.jpg", "IsPrimary" : "1", "_SurrogateID" : "20192", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 306, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/306", "Disp_Access_No" : "1979.7.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1913", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1918", "Disp_Title" : "Bust of Willard Metcalf", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Ingersoll Aitken", "Sort_Artist" : "Aitken, Robert Ingersoll", "Disp_Dimen" : "21 1/2 x 8 x 10 in.", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "with base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Robert Aitken's request that Metcalf sit for a portrait bust was a good measure of the painter's growing professional esteem. Upon completion, the bust was shown at an exhibition of "The Ten", where it was admired. A photograph of the clay model for the bust appeared in the article, Elizabeth Anna Semple, "Art of Robert Aitken, Sculptor," Overland Monthly LXI, no. 13 (March 1913): 219.", "Dedication" : "Florence Griswold Museum; Gift of the artist's wife, Mrs. Henriette Metcalf.", "Copyright_Type" : "", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1979.7.5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1979.7.5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1979.7.5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1979.7.5.jpg", "IsPrimary" : "1", "_SurrogateID" : "20462", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2086, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2086", "Disp_Access_No" : "1976.6.5", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1740", "_Disp_Start_Dat" : "1735", "_Disp_End_Date" : "1745", "Disp_Title" : "Arm Chair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Artist/Maker Unknown", "Sort_Artist" : "Artist/Maker Unknown", "Disp_Dimen" : " x 45 in. x 22 in.", "Disp_Height" : "", "Disp_Width" : "45 in.", "Dimen_Extent" : "", "Medium" : "wood (maple, primary; ash, secondary)", "Support" : "", "Disp_Medium" : "wood (maple, primary; ash, secondary)", "Info_Page_Comm" : "A continuous-arm Windsor chair with brace and comb back. It was painted green and traces of the original paint are visible on the underside of the seat. It was made in Norwich, Connecticut.", "Dedication" : "Florence Griswold Museum; Gift of Mr and Mrs George B. Tatum", "Copyright_Type" : "", "Disp_Obj_Type" : "Furniture", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "2082", "Rel_Obj_Title" : "Arm Chair" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "2083", "Rel_Obj_Title" : "Arm Chair" },{ "Rel_Obj_ID" : "2084", "Rel_Obj_Title" : "Side Chair" },{ "Rel_Obj_ID" : "2085", "Rel_Obj_Title" : "Side Chair" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/1976.6.5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/1976.6.5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/1976.6.5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/1976.6.5.jpg", "IsPrimary" : "1", "_SurrogateID" : "23233", "Image_Type" : "jpg", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2731", "Disp_Access_No" : "1998.11.1a&b", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1934", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1939", "Disp_Title" : ""Lyme Artists" A Silent Film", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unidentified", "Sort_Artist" : "Unidentified", "Disp_Dimen" : "10 in. x 10 in. x 1 1/2 in.", "Disp_Height" : "10 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "photograph", "Support" : "", "Disp_Medium" : "photograph", "Info_Page_Comm" : "Two reels of a silent film showing the artists George Bruestle, Ivan Olinsky, Edward Volkert, Eugene Higgins & his wife, and Percival Rosseau painting in their studios, en plein air, and around their houses in Lyme. The film also shows Florence Griswold at her house, in her garden and at the Lyme Art Association. This film represents a rare glimpse of the personal environments in which Florence Griswold and the Lyme artists interacted with one another, their families, and friends. Not only does the film convey an alluring sense of country life here, but it documents the appearance of the Lyme Landscape during the 1930s. Filmed during the waning years of the Lyme Art Colony and only a couple of years before Miss Florence died, this film is a valuable document of a changing landscape and ,poignantly, the only known film footage of Florence Griswold. ", "Dedication" : "Florence Griswold Museum; Purchase", "Copyright_Type" : "", "Disp_Obj_Type" : "Document", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Old Lyme History", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Flo.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Flo.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Flo.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/Flo.JPG", "IsPrimary" : "1", "_SurrogateID" : "21549", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/226", "Disp_Access_No" : "1991.108", "_AccNumSort1" : "", "Disp_Create_DT" : "1908", "_Disp_Start_Dat" : "1908", "_Disp_End_Date" : "1908", "Disp_Title" : "The Front Hall, 1908", "Alt_Title" : "Front Hall of the Griswold House", "Obj_Title" : "", "Series_Title" : "Griswold House and Grounds", "Disp_Maker_1" : "William Verplank Birney", "Sort_Artist" : "Birney, William Verplank", "Disp_Dimen" : "24 in. x 18 in.", "Disp_Height" : "24 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "This view of the front hall of the Griswold House looking out the door has a puzzling aspect. The garlands imply Christmas decorations, yet the landscape, as seen through the door, is quite green and spring-like. It has been surmised that the laurel garlands were hung in remembrance of Allen Talcott, a founding member of the colony who died in 1908.", "Dedication" : "Florence Griswold Museum; Purchased with Funds from the Charles E. Culpeper Foundation.", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "House and Garden", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/011.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/011.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/011.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/011.JPG", "IsPrimary" : "1", "_SurrogateID" : "20391", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3910, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3910", "Disp_Access_No" : "1999.28.21", "_AccNumSort1" : "", "Disp_Create_DT" : "n.d.", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rocky Landscape with Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bogert", "Sort_Artist" : "Bogert, George", "Disp_Dimen" : "12 1/2 in. x 16 in.", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "panel", "Disp_Medium" : "oil on panel", "Info_Page_Comm" : "", "Dedication" : "Florence Griswold Museum; Gift of Mrs. Dorothy Clark Archibald", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Landscape", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 155, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/155", "Disp_Access_No" : "1997.12", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Cornfield Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Matilda Browne", "Sort_Artist" : "Browne, Matilda", "Disp_Dimen" : "24 in. x 32 in. (609.6 mm. x 812.8 mm.)", "Disp_Height" : "24 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "image only", "Medium" : "oil", "Support" : "canvas", "Disp_Medium" : "oil on canvas", "Info_Page_Comm" : "Matilda Browne was the only woman asked to paint a door panel in the interior of the Griswold House, and was one of the few women considered a serious artist by her male colleagues. This painting is one of her most significant works, and a welcome addition to the collection. The painting is as much about animals as it is an expression of the artist's interest in the atmospheric effects of moonlight. The location depicted in the painting , known as Cornfield Point, is on Long Island Sound in Old Saybrook, across the Connecticut River from Old Lyme.", "Dedication" : "Florence Griswold Museum; Gift of Ms. Helen Krieble in Honor of the Centennial", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Animals", "Period" : "", "Style" : "American Barbizon", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "47", "Rel_Obj_Title" : "Clark Voorhees House" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "225", "Rel_Obj_Title" : "Bucolic Landscape" },{ "Rel_Obj_ID" : "46", "Rel_Obj_Title" : "Cow Lying Down" },{ "Rel_Obj_ID" : "48", "Rel_Obj_Title" : "Dog" },{ "Rel_Obj_ID" : "1182", "Rel_Obj_Title" : "Wiggle Drawing" },{ "Rel_Obj_ID" : "1204", "Rel_Obj_Title" : "Wiggle Drawing" },{ "Rel_Obj_ID" : "321", "Rel_Obj_Title" : "Potted Plants" },{ "Rel_Obj_ID" : "322", "Rel_Obj_Title" : "Patsie White in Olderbrook Costume" },{ "Rel_Obj_ID" : "20197", "Rel_Obj_Title" : "Portrait of a Woman" },{ "Rel_Obj_ID" : "47", "Rel_Obj_Title" : "Clark Voorhees House" } ], "Related_Children" : [ { "Rel_Obj_ID" : "225", "Rel_Obj_Title" : "Bucolic Landscape" },{ "Rel_Obj_ID" : "46", "Rel_Obj_Title" : "Cow Lying Down" },{ "Rel_Obj_ID" : "48", "Rel_Obj_Title" : "Dog" },{ "Rel_Obj_ID" : "321", "Rel_Obj_Title" : "Potted Plants" },{ "Rel_Obj_ID" : "322", "Rel_Obj_Title" : "Patsie White in Olderbrook Costume" },{ "Rel_Obj_ID" : "155", "Rel_Obj_Title" : "Cornfield Point" },{ "Rel_Obj_ID" : "47", "Rel_Obj_Title" : "Clark Voorhees House" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Browne_1997_12.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Browne_1997_12.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Browne_1997_12.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/Browne_1997_12.jpg", "IsPrimary" : "1", "_SurrogateID" : "20321", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 60, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/60", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "View of Ferry Point", "Alt_Title" : "View of the Connecticut River, Ferry Point, Old Lyme", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ellen Noyes Chadwick", "Sort_Artist" : "Chadwick, Ellen Noyes", "Disp_Dimen" : "25 1/2 in. x 35 1/4 in. 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On the hill behind green trees rises the spires of three churches.", "Dedication" : "Florence Griswold Museum; Gift of Mr. Jan Irvine", "Copyright_Type" : "", "Disp_Obj_Type" : "", "Creation_Place2" : "", "Department" : "", "Obj_Name" : "Landscape", "Period" : "", "Style" : "Lyme Art Colony", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "3699", "Rel_Obj_Title" : "Monhegan Bay, Maine, c. 1914" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "647", "Rel_Obj_Title" : "Bridge and River" },{ "Rel_Obj_ID" : "276", "Rel_Obj_Title" : "Old Lyme House in Moonlight" },{ "Rel_Obj_ID" : "278", "Rel_Obj_Title" : "Grey Morning" },{ "Rel_Obj_ID" : "229", "Rel_Obj_Title" : "Saybrook Light" },{ "Rel_Obj_ID" : "870", "Rel_Obj_Title" : "Untitled Aquaprint" },{ "Rel_Obj_ID" : "875", "Rel_Obj_Title" : "Beaver Brook" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/110.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/110.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/110.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/110.JPG", "IsPrimary" : "1", "_SurrogateID" : "20393", "Image_Type" : "Digital ", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3892", "Disp_Access_No" : "1999.28.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Winter Scene (Connecticut Landscape)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl E. 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